When you listen to Miles Davis, how much of what you hear is music, and how much is context?
Context is everything that isn't physically contained in the grooves of the record. It includes your knowledge that everyone else says he's great: that must modify the way you hear him. That he was a handsome and imposing man, a member of a romantic minority, that he played with Charlie Parker, that he spans generations, that he underwent various addictions, that he married Cicely Tyson, that he dressed well, that Jean-Luc Godard liked him, that he wore shades and was very cool, that he himself said little about his work, and so on.
Surely all that affects how you hear him: I mean, could it possibly have felt the same if he'd been an overweight heating engineer from Oslo?
When you listen to music, aren't you also 'listening' to all the stuff around it, too?Brian Eno